The Local - How to Make a Toronto Indie Movie

Defector - Good, Bad, Or Invisible, CGI Makes Movies Unreal

MUBI Notebook - The Purgatory of History: Steve McQueen's 'Occupied City'

Defector - I Can’t Stop Watching ‘Tenet,’ And I Finally Know Why

Toronto Star - Toronto's Indie Cinema Scene is Booming

Defector - Interview with Steven Soderbergh

MUBI Notebook - A Time for Change: The Radical Calm of 'Unrest'

Defector - ‘Across The Spider-Verse’ Reclaims Animation’s Pioneering Spirit

Gawker - 'How to Blow Up a Pipeline' Filmmakers Hope You Take Their Advice

Defector - ‘Saloum’ Is a Genre-Bending Romp That Is As Smart As It Is Thrilling

Gawker - 'The Gray Man' is Not a Real Movie

Defector - Ray Wise Has Always Been More Than 'That Guy'

Gawker - 'Crimes of the Future' and the Evolution of David Cronenberg

Gawker - ‘Severance’ Is Everything You Could Want From TV

Jewish Currents - Interview with Nadav Lapid

Jewish Currents - Becoming Yigal Amir

The Baffler - Flacks and Figures

The Baffler - The Netflix-Twitter Complex

Mic - Interview with Barry Jenkins

Vulture - Interview with Hans Zimmer

Filmmaker Magazine - Interview with Lee Chang-dong

Hazlitt - Jim Steinman: The Man Behind Meat Loaf

Slate - 'The Florida Project' Has the Most Perfect Ending of Any Movie in Years

Esquire - 'Twin Peaks: The Return' and the Year's Best Episode of TV

Slate - How 'The Beguiled' Whitewashed Slavery

Esquire - Jonathan Demme Was a Director Whose Films Were Defined by Intimacy

Vice - How 'S-Town' Explores the Murky Ethics of Privacy

Esquire - Interview with Mark Harris on 'Five Came Back'

Esquire - Interview with Ava DuVernay

Esquire - How 'Hell or High Water' Portrayed a Very Real America That Many Ignored

Pacific Standard - Interview with Ibram Kendi, Author of 'Stamped from the Beginning'

Esquire - 9 Movie Critics on the Movie Reviews They Got Wrong

Movie Mezzanine - The Fans Who Saved “Star Wars”